The Filmmaker’s Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker’s perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers:
- Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location;
- Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots;
- See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.
By Eran Dinur Routledge 192 pages Paperback: 9781138956223 pub: 2017-04-10
Table of ContentsAcknowledgements Introduction PART 1: VFX FUNDAMENTALS Chapter 1: Core Concepts Chapter 2: VFX as a Filmmaking Tool Chapter 3: From 2D to 3D: The Quest for the Lost Dimension Chapter 4: Separation: Roto, Green Screens, and the Challenges of Extraction PART 2: THE INSIDE LOOK Chapter 5: The VFX Workflow: An In-depth Look at the Various Crafts of Visual Effect Chapter 6: Workflow Case Studies PART 3: VFX IN PRODUCTION Chapter 7: Pre-production Chapter 8: On Set Chapter 9: Post-production Chapter 10: The Future Index
Reviews"The Filmmaker’s Guide to Visual Effects is a unique and essential guide for filmmakers and producers to navigate the complex world of VFX to effectively make better films. You need to read this book if you are a filmmaker that needs a simple or complex visual effects shot; your film will be better, and it will be completed sooner and it will cost less if you understand how to work with VFX." —John McIntosh, Chairman, School of Visual Arts, Computer Art, Animation and Visual Effects - Board of Directors, Visual Effects Society (VES) | New York "The Filmmaker’s Guide to Visual Effects is an indispensable tool for filmmakers. Writing in a clear, concise style, the author makes the possibilities of VFX accessible to directors, producers, editors, cinematographers – anyone who wishes to know more about how to use its power to better tell their stories." —Arthur Vincie, Writer/Director of Found In Time and Three Trembling Cities, Author of Preparing For Takeoff "This book should be required reading for anyone working as a director, producer, DoP and many other roles, as well as film students. Working in the industry gives a fragmented familiarity with lots of VFX in practice; this book completes the picture and gives me – as a director, producer and First Assistant – a coherent view of why we use certain methodologies and how we can then envision and plan ambitious effects while saving time and money. An extremely useful resource that I’m sure I will return to again and again." —Liz Gill, Author of Running the Show "While there are many good VFX books out there aimed at the VFX artist, The Filmmaker’s Guide to Visual Effects fills a niche in providing filmmakers a comprehensive overview on how to successfully implement VFX techniques in their productions." —Matthew McKenna, Senior Systems Director, School of Visual Arts
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