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StudentFilmmakers Magazine, April 2009 Table of Contents
CINEMATOGRAPHY
Lensing Your ‘Futuristic, Other-World’
with a Tilt-Shift Lens
Manipulate Planes of Focus
by Saro Varjabedian
HD DOCUMENTARY
Capturing the Story for the
HD Documentary,
Strong Bodies Fight
Director’s Perspective
by William Donaruma
TECHNIQUES:
Directing and Operating the B Camera for Strong Bodies Fight
PRE-PRODUCTION
Cast the Right Kind of Talent
for Your Story and Project
“In the world of mostly every successful
producer and director, talent is of critical importance.”
by John Carrico
SCREENWRITING
40 Basic Plot Points for a Feature Film
3 Pages per Plot Point
= 120 Screenplay Pages
= 120 Minutes
by Sherri Sheridan
CLOSE-UP
Reviving the Bloody Franchise:
Nispel Appeases Loyal Fans
while Breathing New Life into
Their Gory Classics
Interview with Friday the 13th Director Marcus Nispel
by Scott Essman
MUSIC & SOUND
Four Track Recording Muscle
Never Underestimate the Power of 4-Tracks to Capture
What You Need
by Bryant Falk
MUSIC & SOUND
The Selection and Use of Shotgun
Microphones on the Set
Utilize the Hierarchy of Microphone
Techniques
by Fred Ginsburg C.A.S. Ph.D. MBKS
CLOSE-UP
Slumdog Millionaire’s
Oscar Winner Chris Dickens
When suddenly confronted with
new tech gear and culture shock,
Dickens relies on his solid skills
as an editor to win big.
by Scott Essman
PROPS & FX-MAKEUP
Recipes for Special
Makeup Effects
Create Simple Effects
That Will Look Great on Camera
by Todd Debreceni
FILM BUSINESS
Finding Aftermarkets
Is there an Aftermarket for Your Media?
by Vicky Collins
COMMENTARY
The Digital Revolution:
What is Missing?
Old versus New
by Dean Goldberg
CALL FOR ENTRIES
In This Issue:
The Writers Place Screenplay Contest
Austin Film Festival
Screenwriting Conference in Santa Fe
ON CAMPUS
In This Issue:
Compass Film Academy
Footage of the World, LLC
Vertical Streaming
NETWORKING
Shahar Reznik
Launa Buettell
Mark Kiss
GLOBAL MARKETPLACE
