After you purchase this digital issue, you get 5 downloads. Remember to save your downloads to your hard drive and/or mobile devices. (File format: PDF) This issue includes: StudentFilmmakers Magazine, October 2006 Table of Contents RED ONE: Delivering Results? Red Gives Updates and Answers at IBC by Jon Firestone Lighting a Room ‘Night for Day’ Some Compromises, Benefits, and Fundamental Techniques by Kevin Zanit The Monk Who Would be a Director by Larry Jaffee A New In-Camera Way to Achieve Old Style Process Shots Our Mission Shoot a TV Spot for an Attraction That Doesn’t Yet Exist by Jeff Barklage, S.O.C. The On-Set Cadence: Script for Calling a Shot! by Michael Corbett Directing for the Cut Change of Distance, Change of Angle, and Action within the Scene by George Avgerakis Using the Panasonic DVX100A Camcorder with Final Cut Pro Important Steps to Take Before Editing Your Work of Art by Chris Cavallari Foley on a Shoestring Creating Low-Budget Foley by Fred Ginsburg C.A.S., Ph. D. The Portable Studio Building a Portable Audio Edit Station by Bryant Falk The Art of the Documentary Interview Eliciting a Story from Your Interviewee by Anthony Q. Artis Making a Dogme 95 Film Suggestions on How to Succeed by Dana Dorrity Marketing: Award-Winning Animated Short, The Mantis Parable Anatomy of a short film’s rise to fame through word of mouth, film festivals, iTunes, and of course the internet by Jake Lovell
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