Photography Reframed New Visions in Contemporary Photographic Culture Edited By Ben Burbridge, Annebella Pollen
ISBN 9781350137745 Published November 4, 2020 by Routledge 281 Pages
At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.
Photography Reframed: Always, Already, Again, Ben Burbridge and Annebella Pollen Section I. New Ontologies: Photography between the Archive and the Network 1. Technology and Interaction: Penelope Umbrico’s TVs from Craigslist, Duncan Wooldridge 2. Post-representational Photography, or the Grin of Schrödinger’s Cat, Daniel Rubinstein 3. Archival Measures: Photography Collections in a New Media Age, Tina Di Carlo 4. The Grain of Ephemera/Event: Thinking Digital Archive through Photography, Sen Uesaki and Jelena Stojkovic 5. Tomorrow’s Headlines Are Today’s Fish and Chip Papers: Some Thoughts on ‘Response-ability’ David Campany interviewed by Duncan Wooldridge Section II. Mass Culture and the Politics of Distinction 6. Popular Photographic Cultures in Photography Studies, Gil Pasternak 7. The Photographer as Reader: The Aspirational Amateur in the Photo-Magazines, Peter Buse 8. Mrs Wagner’s Aspirations: The Album as Monument, Martha Langford 9. When is a Cliché not a Cliché?: Reconsidering Mass-produced Sunsets, Annebella Pollen Section III. (Networked) Society and the Spectacle: Photography and Exhibitionism 10. The Shirt Off His Back: Male Torsos on Display in Contemporary Visual Culture, Marvin Heiferman 11. The Politics of Amateurism in Online Pornography, Feona Attwood 12 What a Body Can Do: From the Frenzy of the Communicative to the Visual Bond, Francis Summers 13. Hating Habermas: On Exhibitionism, Shame and Life on the Actually Existing Internet, Theresa M. Senft 14. Paradise Lost: Exhibitionism and the Work of Nan Goldin, Ben Burbridge Section IV. Documentary Photography and Global Crisis 15. The Déjà Vu of September 11: An Essay on Inter-iconicity, Clément Chéroux 16. Facing War: Photography and Humanism, Iain Boal and Julian Stallabrass 17. War Primers, David Evans 18. Immigration Photography in Italy, Andrea Pogliano 19. Landscape Photography’s ‘New Humanism’, Chad Elias Section V. Citizens? Photography, Resistance and Control 20. Dead End Streets: Photography, Protest and Social Control, David Hoffman 21. Escaping the Panopticon, Pauline Hadaway 22 ‘You Don’t Even Represent Us’: Picturing the Moscow Protests, Aglaya Glebova 23. Occupy the Image, Liam Devlin 24. The Becoming-Photographer in Technoculture, Sarah Kember Closing Reflections, Ronnie Close, Catherine Grant, Sarah E. James and Sandra Plummer Afterword, Charlotte Cotton List of Illustrations Acknowledgements Credits Contributor Biographies Index
Author:
Ben Burbridge is Senior Lecturer in Art History and Co-Director of the Centre for Photography and Visual Culture at the University of Sussex. He is widely published in the field of photography, art and politics. Curatorial projects include the 2012 Brighton Photo Biennial, Agents of Change: Photography and the Politics of Space and Revelations: Experiments in Photography (Science Museum, London and National Media Museum, Bradford, 2015).Annebella Pollen is Principal Lecturer and Academic Programme Leader in the History of Art and Design at the University of Brighton. She is widely published in the field of visual and material culture. She is the author of The Kindred of the Kibbo Kift: Intellectual Barbarians (2015), Mass Photography: Collective Histories of Everyday Life (I.B.Tauris, 2016) and co-editor of Dress History: New Directions in Theory and Practice (2015).
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