Don’t let your indie film be sabotaged by bad sound! One of the weakest technical aspects of a low or no budget short or feature film is usually the sound, and in Sound Design for Low and No Budget Films, author Patrick Winters explains what filmmakers need to do to fix that. Learn how to improve the sound quality of your low budget film with specific tools and practices for achieving a better sound track, including detailed, step-by-step explanations of how to edit your production track, create a sound design, record and edit ADR, Foley and sound effects, music, and much more. Focusing on the essential details indie filmmakers need to know, Winters teaches you how to turn a thin and distracting sound track into one that makes your film shine. This practical guide offers: • In-depth focus on hands-on, step-by-step instruction for achieving great sound in post-production, including recording and editing sound effects, ADR and Foley—even without expensive equipment and software. • Techniques specifically designed for low and no budget projects, perfect for both students and aspiring indie filmmakers. • A simple and direct style that any aspiring filmmaker or student can understand without already knowing the industry jargon.
By Patrick Winters Routledge 262 pages; Paperback: 9781138839441; pub: 2017-01-23
Table of Contents
- What is Sound?
- Why is sound important in Film and TV?
- How is good location sound recorded?
- How is Dialogue/ Production Track edited?
- Why do you record ADR?
- What is Walla or Loop Group?
- Who or What is Foley?
- Why do we need all those SFX?
- Noise Floor: Ambiences/Backgrounds
- Just what is Sound Design? (reviewers note this is out of place, will move)
- Why would I want a Musical Score for my movie?
- I’ll Mix it myself
- Studio Mix
- DSP Processing
- It’s Mixed, Now What?
- Marlena Grzaslewicz, Dialogue Editor - Interview
- Marlena Grzaslewicz, Dialogue Editor - Tutorial
- Ron Riddle, Film Composer
- Terry Boyd, Jr. & Matt Salib, Foley Artists
- Steve Avila, Sound Effects Supervisor
- Ian Shedd, Supervising Dialogue Editor
- Ben Whitver, ADR Mixer
- Martin Czembor, Rerecording Mixer
- Josh Berger, Rerecording Mixer
- Isaac Derfel, Sound Effects Editor
- Jeff Pullman, Location Sound Mixer