After you purchase this digital issue, you get 5 downloads. Remember to save your downloads to your hard drive and/or mobile devices. (File format: PDF) This issue includes:StudentFilmmakers Magazine, February 2007 Table of ContentsInsights into Lighting and Shooting HDExclusive Interview with Thomas Ackerman, ASC
by Jody Michelle Solis
Motivational ImageryUsing the Story to Get the Most Captivating Shot
by Saro Varjabedian
Using Documentary Techniques to Craft StoriesA Look into 'United 93', 'Bloody Sunday', 'The Road to Guantanamo', and Other Films
by Dana Dorrity
Shooting Effective B-Roll for DocumentariesHow to Shoot Coverage & MEM B-Roll and the Advantages
by George Avgerakis
Digital Intermediate: The Wave of the PresentA Quantum Leap in Creative Control Over the Final Look of a Film
by Steve Wright
The Creative CatalystAn Unassuming Maverick Who Quietly Reinvented Industry Standards
by Ira Tiffen
New Filmmaker Ruben Obregon on La PrimaveraTexan Filmmaker Utilizes His Experiences in the Navy to Create an Award-Winning Short
by Jake Lovell
Stereo vs. Mono Recording…And the Impact of Surround Sound
by Bryant Falk
Mounting a DV Cam to a Motorcycle… For a Low-Angle/POV Action Shot
by Brian Flees
Storyboarding: Directing ShotsTelling a Visual Story, Varying Shots, & Introducing Movement
by Mark Simon
Establishing a Meaningful Connection with Your AudienceFour Basic Ingredients to Season Your Screenplays
by Michael Karp, SOC
Post Production Workflow of Reality Series, 'Blind Date'Career Advice & Lessons Learned from Behind the Editing Room
by Daniel Gaucher
Payment & Security
Su información de pago se procesa de forma segura. No almacenamos los detalles de la tarjeta de crédito ni tenemos acceso a la información de su tarjeta de crédito.
Gastos estimados de envío
Política de reembolso
You must contact us before returning any item.
Books returned to us without prior agreement will not be credited or acknowledged. We can accept no liability for financial losses incurred by customers who have submitted unauthorized returns – so please contact us before returning an item. Products sold on this website are sold on a firm sale basis and are not returnable. This does not affect your rights to return damaged/defective items. If you have received a damaged/defective item, please contact us as soon as possible via our online contact formand/or via email at email@example.com. Please add our email address to your address book and "whitelist" us, so that you receive our message in your inbox, and so that our reply doesn't go into your bulk or spam folder.
Cancellations: If you wish to cancel an order, please contact us as a matter of urgency because once we have charged and dispatched your order we cannot then cancel it. This does not affect your rights to return damaged/defective or incorrect items.
Full refund inside 30 days. No refunds outside of 30 days. No exception. Products must be returned in excellent condition or a restocking fee of 15% will apply.
If a customer has a defective product and they are outside the 30-day return window please see the Azden Webpage for warranty.
Once the e-gift card has been e-mailed, it is non-refundable. If the intended recipient does not receive their e-card or accidentally deletes it, we are happy to resend the e-gift card if they contact us through our online contact formand/or via email at firstname.lastname@example.org.
Workshop Cancellation and Refund Policy
Please read the policies regarding refunds, transfer credits and other important items before you register.
Withdrawals & Refunds
Registration fees are non-refundable unless a participant provides StudentFilmmakers.com with written notice that he or she intends to withdraw from a workshop. See the following details below.
Written withdrawal notice must be received by the StudentFilmmakers.com at least 30 days prior to the workshop.
Withdrawals or requests for a refund may not be made by telephone.
Please note that absence from workshop does not constitute notice of withdrawal.
Full refund minus a $25 admin fee up to 30 days out of your scheduled training.
50% refund after that up to two weeks out from the scheduled date.
No refund within two weeks of the training date.
An exception will be made for an unexpected illness, and a refund of 50% or a credit to attend an up-coming workshop can be issued.
You can only receive a refund in the original payment method.
In lieu of a refund, you can also transfer your spot to someone else. We can transfer tickets up until the day before the event.
When a participant is confirmed in a workshop and fails to attend, the participant will be charged the full workshop fee.
StudentFilmmakers.com reserves the right to cancel any workshop, and you will be issued a full refund for your registration. StudentFilmmakers.com is not responsible for any loss or damage as a result of a substitution, alteration or cancellation/postponement of an event. StudentFilmmakers.com shall assume no liability whatsoever in the event this conference is cancelled, rescheduled or postponed due to a fortuitous event, Act of God, unforeseen occurrence or any other event that renders performance of this conference impracticable, illegal or impossible. For purposes of this clause, a fortuitous event shall include, but not be limited to: war, fire, labor strike, extreme weather or other emergency.
Please note that while speakers and topics were confirmed at the time of publishing, circumstances beyond the control of the organizers may necessitate substitutions, alterations or cancellations of the speakers and/or topics. In case of a speaker's cancellation a substitute speaker of equivalent level or higher will be provided. As such, StudentFilmmakers.com reserves the right to alter or modify the advertised speakers and/or topics if necessary without any liability to you whatsoever. Any substitutions or alterations will be updated on our web page as soon as possible.