ISBN: 9780813175959; Hardcover 448 pages, 6.00 x 9.00 in, 74 b/w photos
Clarence Brown Hollywood's Forgotten Master by Gwenda Young
Foreword by Kevin Brownlow
Greta Garbo proclaimed him as her favorite director. Actors, actresses, and even child stars were so at ease under his direction that they were able to deliver inspired and powerful performances. Academy--Award--nominated director Clarence Brown (1890--1987) worked with some of Hollywood's greatest stars, such as Clark Gable, Joan Crawford, Mickey Rooney, Katharine Hepburn, and Spencer Tracy. Known as the "star maker," he helped guide the acting career of child sensation Elizabeth Taylor (of whom he once said, "she has a face that is an act of God") and discovered Academy--Award--winning child star Claude Jarman Jr. for The Yearling (1946). He directed more than fifty films, including Possessed (1931), Anna Karenina (1935), National Velvet (1944), and Intruder in the Dust (1949), winning his audiences over with glamorous star vehicles, tales of families, communities, and slices of Americana, as well as hard-hitting dramas. Although Brown was admired by peers like Jean Renoir, Frank Capra, and John Ford, his illuminating work and contributions to classic cinema are rarely mentioned in the same breath as those of Hollywood's great directors.
In this first full-length account of the life and career of the pioneering filmmaker, Gwenda Young discusses Brown's background to show how his hardworking parents and resilient grandparents inspired his entrepreneurial spirit. She reveals how the one--time engineer and World War I aviator established a thriving car dealership, the Brown Motor Car Company, in Alabama -- only to give it all up to follow his dream of making movies. He would not only become a brilliant director but also a craftsman who was known for his innovative use of lighting and composition.
In a career spanning five decades, Brown was nominated for five Academy Awards and directed ten different actors in Oscar-nominated performances. Despite his achievements and influence, however, Brown has been largely overlooked by film scholars. Clarence Brown: Hollywood's Forgotten Master explores the forces that shaped a complex man -- part--dreamer, part--pragmatist -- who left an indelible mark on cinema.
Gwenda Young is a professor of film history and lecturer in film studies at University College, Cork, Ireland. She is the author of numerous articles about film history, including three articles about Clarence Brown, and co-editor of two books of critical essays. In 2003, along with Kevin Brownlow, she curated a retrospective of Brown's films at the National Film Theatre, London.
Book Reviews:
"Gwenda Young's research for her study of the films directed by Clarence Brown is beyond excellent. It is extraordinary." -- Emily Leider, author of Myrna Loy: The Only Good Girl in Hollywood
"Gwenda Young's extremely significant and impressive work provides a comprehensive historical overview of the life and career of an important Hollywood director of the 'Classical Era' -- Clarence Brown." -- Lucy Fischer, author of Body Double: The Author Incarnate in Cinema and Art Direction and Production Design
"This definitive study of the life and work of prolific MGM contract director Clarence Brown, whose career extended from the early silent era into the age of television, is exhaustively researched and skillfully written. It does not claim that Brown was a filmmaking genius, but rather a great visual stylist with an intense devotion to the artful logistics of production and direction who also had a poetic vision grounded in personal experience. It offers a vivid account of the industrial system in which he practiced, with special attention to the vexations of production code censorship and internal studio politics. Anyone who cares deeply about the history of American cinema should read this book." -- David A. Cook, author of A History of Narrative Film (Fifth Edition)
"This is a pioneering study of an important but neglected American filmmaker. Gwenda Young has marshaled an astonishing range of resources in telling the story of Clarence Brown's life and work from his days as an apprentice in the silent era through his rise as a major director in the classical Hollywood studio system up to World War II and beyond. It is an epic tale, and Young gives it the scope and momentum of a great novel even as she brings to bear a wealth of scholarly research. A truly impressive accomplishment." -- James Morrison, author of Auteur Theory and My Son John
"A sweeping and elegantly written biography. It is as gracefully told, as delicate and memorable, as the best work of its subject. Young's book effortlessly portrays a man who never let the Hollywood system interfere with his filmmaking instincts." -- Wall Street Journal
"A well-annotated, comprehensive, academic biography. Highly recommended to anyone interested in the history of early American cinema, star power in early Hollywood, or Clarence Brown." -- Library Journal
"Young makes a credible case for Brown's skillful craft and even artistry in the silent era. Youngtells his story well." -- Shepherd Express
"A biography of the unsung director Clarence Brown would be welcome under any circumstances. That it rates a ringing endorsement from Kevin Brownlow makes it required reading. Young's book is more than a career study, however; it is a full-fledged biography, extensively researched and annotated. The man who made Flesh and the Devil, Anna Karenina, The Human Comedy, National Velvet, The Yearling, and Intruder in the Dust (among many others) deserves no less." -- Leonard Maltin
"Young's thorough and fascinating biography on MGM film director Clarence Brown goes a long way in making sure his contribution is noted as lasting and significant. Young not only provides us with a biography of a great director's life, she offers fascinating information about the approach to filmmaking during cinema's infancy, the power of the studio system, the many varied personalities whose work we continue to revere, marketing methods, critical reactions, box office stats, and how the work continues to impact us. Clarence Brown: Hollywood's Forgotten Master makes a real case for our better appreciation of a brilliant director, and does so in a manner that is informative, enlightening, interesting, and entertaining. It is a book that demands to be included in any library or research center, University or public, and in the personal collections of anyone interested in the richness of Hollywood cinema's history." -- James L. Neibaur
"Throughout this elegant book, Young makes a watertight case for the reappraisal of her subject, a director who, in her words, "soared in flights of poeticsm and romanticism that are still unequaled on the American screen."" -- Sight & Sound
Payment & Security
Su información de pago se procesa de forma segura. No almacenamos los detalles de la tarjeta de crédito ni tenemos acceso a la información de su tarjeta de crédito.
Gastos estimados de envío
Política de reembolso
You must contact us before returning any item.
BOOKS
Books returned to us without prior agreement will not be credited or acknowledged. We can accept no liability for financial losses incurred by customers who have submitted unauthorized returns – so please contact us before returning an item. Products sold on this website are sold on a firm sale basis and are not returnable. This does not affect your rights to return damaged/defective items. If you have received a damaged/defective item, please contact us as soon as possible via our online contact formand/or via email at store@studentfilmmakers.com. Please add our email address to your address book and "whitelist" us, so that you receive our message in your inbox, and so that our reply doesn't go into your bulk or spam folder.
Cancellations: If you wish to cancel an order, please contact us as a matter of urgency because once we have charged and dispatched your order we cannot then cancel it. This does not affect your rights to return damaged/defective or incorrect items.
AZDEN PRODUCTS
Full refund inside 30 days. No refunds outside of 30 days. No exception. Products must be returned in excellent condition or a restocking fee of 15% will apply.
If a customer has a defective product and they are outside the 30-day return window please see the Azden Webpage for warranty.
E-GIFT CARDS
Once the e-gift card has been e-mailed, it is non-refundable. If the intended recipient does not receive their e-card or accidentally deletes it, we are happy to resend the e-gift card if they contact us through our online contact formand/or via email at store@studentfilmmakers.com.
WORKSHOPS
Workshop Cancellation and Refund Policy
Please read the policies regarding refunds, transfer credits and other important items before you register.
Withdrawals & Refunds
Registration fees are non-refundable unless a participant provides StudentFilmmakers.com with written notice that he or she intends to withdraw from a workshop. See the following details below.
Written withdrawal notice must be received by the StudentFilmmakers.com at least 30 days prior to the workshop.
Withdrawals or requests for a refund may not be made by telephone.
Please note that absence from workshop does not constitute notice of withdrawal.
Full refund minus a $25 admin fee up to 30 days out of your scheduled training.
50% refund after that up to two weeks out from the scheduled date.
No refund within two weeks of the training date.
An exception will be made for an unexpected illness, and a refund of 50% or a credit to attend an up-coming workshop can be issued.
You can only receive a refund in the original payment method.
In lieu of a refund, you can also transfer your spot to someone else. We can transfer tickets up until the day before the event.
No Show
When a participant is confirmed in a workshop and fails to attend, the participant will be charged the full workshop fee.
Workshop Cancellations
StudentFilmmakers.com reserves the right to cancel any workshop, and you will be issued a full refund for your registration. StudentFilmmakers.com is not responsible for any loss or damage as a result of a substitution, alteration or cancellation/postponement of an event. StudentFilmmakers.com shall assume no liability whatsoever in the event this conference is cancelled, rescheduled or postponed due to a fortuitous event, Act of God, unforeseen occurrence or any other event that renders performance of this conference impracticable, illegal or impossible. For purposes of this clause, a fortuitous event shall include, but not be limited to: war, fire, labor strike, extreme weather or other emergency.
Please note that while speakers and topics were confirmed at the time of publishing, circumstances beyond the control of the organizers may necessitate substitutions, alterations or cancellations of the speakers and/or topics. In case of a speaker's cancellation a substitute speaker of equivalent level or higher will be provided. As such, StudentFilmmakers.com reserves the right to alter or modify the advertised speakers and/or topics if necessary without any liability to you whatsoever. Any substitutions or alterations will be updated on our web page as soon as possible.